Monday, June 25, 2012

Thelma &Louise: Beauty, Freedom & Guns By, Keshia Winder


             Thelma and Louise was not a feminist film but it was a film that magnified the buried feelings of woman. The characters exemplified freedom, female boning, an unsettling spirit and female outlaws. Prior to Thelma and Louise these characteristics have not been displayed on the screen. Within the eight clips cross cutting repeatedly appeared intensifying the build-up of the ladies either great escape or great take down. While cross cutting, each close up magnified facial expressions in efforts to stress a serious tone. 

The opening clip of Thelma and Louise began with slow deep focus shots of agriculture, vast areas of land that appeared deserted. Before the camera has the opportunity to move the usage of sound chimes in with a faster pace perhaps helping the audience transition to an upbeat scene. As the pace of the music increases so does the movement of the cast. The second scene is in a diner with crowded tables, noisy guest and rapid moving waitresses. The only way a camera can truly capture the essence in the scene without losing direction would be to participate in Mise en scene. Scott set the scene perfectly to a point of view that is self sustaining and no need for the camera to move but allow the characters to utilize all the space. 

In comparison to Butch Cassidy and the Sundance Kid, Thelma and Louise had similar endings. In Both films all four outlaws knew the odds of their survival. The choice to surrender was shirt lived because w all know outlaws are fighters, this characteristic is what gets them into these particular situations in the first place. Butch Cassidy’s director chose a variation of close ups and tightly framed shots with long loose frame shots. For instance, as both male outlaws kneeled on a cliff for cover the camera remained in their face to capture all movement and emotions while deciding to shot or jump. On the other hand, when the camera shots from a low angle to reveal the Rangers setting up for good aim we see the Rangers in a distance with plenty of space to choose for positioning. I guess we can say cross cutting is mildly used in this scenario, especially when the two men float down the river, the camera reflects once on the rangers and continue with the constant flow of the river.

Thelma and Louise concept is very similar yet unique in its own way.  One major difference would be the mode of transportation. The ladies seemed to turn a weekend trip into a voyage, the idea of traveling further and further away from home expressed a great deal of liberation. Most woman, especially woman depicted on film typically do not steer away from the home or domestic responsibilities. The fact that these ladies are free and on the road without an apron on show some of the many layered personalities a woman can exhibit. Another slight difference in the ending of Thelma and Louise versus butch Cassidy is the viewers do not get to see the destiny of the female outlaws. Their leap of faith takes them over the cliff but do not give a clear indication of their landings. This endings helps the viewers understand that when you take a chance against constructed laws there are endless possibilities. Butch Cassidy’s river exemplified the same meaning a river is forever flowing and connecting.
Woman like Thelma and Louise did not deserve a bullet aimed in the back of their heads as we saw in one of the cross cutting scenes, the montage of targeted villains versus small military revealed the strength female characters posses. Why? If woman were just silly kitchen lab rats then why does it take a helicopter, a dozen cop cars and guns cocked and loaded to bring in two angelic faces. It’s a pleasure to have watched Thelma and Louise show the world woman have spunk, zest and trigger finger too.

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