The reviewer, Howe, from the Washington Post points out how
the hip hop number from the group Public Enemy is used heavily in the
film. Did Spike Lee use this hit,
“Fight the Power” in a positive or negative connotation? The entire story clearly shows the
negative effects of solving things violently, from a white and black
perspective. Therefore, does this
angry hip hop song used repetitively enforce the violence?
Like Emerson points
out, when Mookie throws the garbage can in Sal’s store, does he do the right
thing? I am sure that Lee
intentionally created this film to let people, depending on their
race/ethnicity/background/etc., create their own opinions in response to the
end of the movie. Lee truly showed
us who Mookie and Sal were as separate human beings. Viewers could basically either love or hate the two
characters. Opinions shifted, I’m
sure, when Sal ruined the boom box because of the loud music and when Mookie
threw the garbage can through his own place of employment. Viewers are still left pondering, were
both of these acts a good idea?
Ebert’s review was
in my humble opinion, the most insightful. He mentions that some reviewers have stated that the film
almost condones violence. Ebert
points out that this film’s story, characters, and film crew merely state
life’s cruel trials in an unfair road.
It merely shows how these good people, have a bad thing happen to them
and how they all react. I enjoyed
this aspect of the film the most.
It gave insight into several people’s lives and how they dealt with the
hard times and the good times.
The oblique angles
in the beginning show an awkward relationship with Mother Sister and the
Mayor. As the story continues, the
angles become less oblique with this unlikely pair. The low angle on the intellectually disabled character who
runs around the neighborhood selling pictures of Martin Luther King Jr. and
Malcom X. These angles show the
underestimated power and value of his message to “do the right thing”
In the very
beginning when the film when [love] is giving a wake up call, there are
distinct red, orange, and yellow color patterns in all of the scenery. These hot colors show the ever-rising
temperature in the poor, black Brooklyn neighborhood and the way other matters
will heat up as the story goes on.
These colors push the story to the riot in the end of the film.
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