At first I was
not sure about the film, but after watching the film I had a better
understanding of the different techniques we have been learning about, and the
truth to this man’s story. Kane started life as a poor child with his parents;
his mother wanted a better life for him and decided to send him away. In the
beginning scenes it is easy to see what is being foreshadowed for him and what
he’ll be getting in the end. For example in the scene when Mrs. Kane, (his
mother) and Mr. Thatcher are deciding Kane’s future it is easy to see that the
documents that she is about to sign are a huge factor and will be affecting his
life because it is being lit up by a spot light. Charles you can see in the
background in the window, and he’s dark compared to the snow, all of these
affects are the usage of subsidiary contrasts.
Despite his
rough beginnings it is easy to see throughout the film the emptiness that Kane
had and was constantly searching for. Just as the reporter is looking to find
what this mysterious “Rosebud” is. What I found interesting though, that Kane constantly
chased things in his life and the harder he chased for these unreachable goals
the darker his complexion would become.
All in all,
Kane only wanted to be loved, because he had missed out on that as a child, so
he constantly tried to fill that the best he could.
I loved the usage
of the flashbacks throughout the film. I love whenever movies do that to tell a
story. These weren’t the typically flashbacks though. Usually flashbacks are
told from one particular individual in the story, but these flashbacks told a
man’s story from the different angles of all the important people in this man’s
life. It was a powerful and creative way to tell his story, because this gave
the viewers an idea of fascination of the character. It made them want to hear
more of his story from even more angles.
This story was
told from the effects of shadows, lighting and different angles. Close ups for
the pure emotion from the characters, crane angles to show a unique illusion,
angles from the floor to make the ceiling look limitless and untouchable,
shadows to make everything seem gloomier and sadder as Kane grew up and all
alone. Every aspect gave meaning and told his story.
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